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Hurley Schläger "Hurley" auf Englisch

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This is because poor stroke mechanics can be much easier to produce with a lightweight racket, such as in using one's wrist to mostly swing the racket.

An extremely typical mistake beginning players make is to choke up heavily on the racket to try to compensate for twist from a light racket, as well as too high racket angle upon impact and use the wrist too much.

The only professional well-known player to have had success with a strongly choked-up grip is Zina Garrison.

Head size plays a very key role in a racket's performance characteristics. A larger head size very generally means more power and a larger " sweet spot ".

This is an area in the string bed that is partially more forgiving on off-center hits and which produces more ball-reflective power from string deformation, known as the trampoline effect.

However, large head sizes can increase twisting, which makes off-center hits more difficult to control and can reduce a player's overall power production due to the playing compensating for the extra inherent power, typically with stiffer strings to reduce the increased string deformation of large heads.

A smaller head size generally offers more control for many shots, particularly the service and groundstrokes aimed near the lines, but can lead to more shanks wild misses, from hitting the frame or missing the sweet spot.

This drawback is most common for professional players using single-handed topspin backhands, as well as for recreational and aged players at net.

Shanking due to small racket head size is typically exacerbated by racket weight, which slows the reaction time, as well as, to a lesser degree, the racket's balance point.

The WEED company, founded by Tad Weed , specializes in producing very large rackets, primarily for the elderly market. Rackets that are moderately higher in power production, moderately lower in weight, moderately larger in size, and which typically possess a slightly head-heavy balance are often called " tweener rackets.

Perhaps the last professional to use a standard-size racket in professional tennis was Aaron Krickstein , known for the strongly-contested match against Connors at the US Open.

He used a Wilson Ultra-II standard-size graphite racket also used in the s by the hard-hitting teen Andrea Jaeger.

The first oversize, the fiberglass Bentley Fortissimo from Germany, was praised by racket designers but was considered too large to be taken seriously by the small number of players who were exposed to it.

The head-light balance point is rarer in professional tennis than it once was, as the sport has converted to larger-headed rackets, stiffer rackets, stiffer strings, more western grips and accompanying stroke production, and more topspin.

The head-light balance point is most optimal for the serve and volley style with a continental grip.

Serve and volley is no longer a viable option for nearly all professionals as the mode of playing for most points in a match. Head-heavy rackets became popular, mainly with recreational players, primarily with the introduction of the Wilson ProFile widebody racket.

The head-light balance makes volleys and serves easier to produce, while groundstrokes are less stable. The head-heavy balance makes groundstrokes more stable, which typically increases the player's comfort for swinging harder to add power, but makes serves and volleys more cumbersome.

A head-heavy balance also puts more stress on the elbow and shoulder. They do not, however, reduce impact shock significantly, so they are of no safety value.

Dampeners come in two main types. The first uses the two central main strings to hold it in place. The second is sometimes called a "worm" and it is woven between many of the main strings.

Dampeners are nearly always placed very near the bottom of the racket string bed. As rackets have become lighter, stiffer, and larger-headed, the professional game has moved, basically completely, from softer and more flexible string materials to stiff materials.

This is, in large part, to tone down the additional power potential of the "modern" rackets. However, it also is related to the tendency for different string materials to move out of place when subjected to heavy topspin strokes.

Polyester is the string of choice today because of that resistance, despite its increased stiffness harsher feel and more aggravating for the joints and reduced tension-holding ability versus a string like natural gut, which excels at that.

The top professionals of the s and earlier, despite having access to stiffer materials such as nylon , nearly always chose to use the very flexible natural gut instead.

String bed stiffness can be increased by using stiffer materials, such as kevlar and polyester , by increasing the density of the string pattern, and by stringing with a higher tension.

Racket makers and players have experimented with very dense string patterns and very "open" patterns, beginning with the Snauwaert Hi Ten, which had a pattern with as few as 12 mains and 13 crosses.

Doubles great Mark Woodforde used one of them. String choice, both in thickness and material, string tension, string pattern, and string pattern density can have a very large effect on how a racket performs.

A small number of them were made of metal, such as a s racket by Dayton. It was popularized by the top American player Jimmy Connors and was also, prior to Connors using it, by Billie Jean King in her early career.

Many players said it lacked control but had more power, when compared with wood frames of the period. Connors used the rarer "firm" model that had additional throat welds to increase its stiffness.

In Spalding launched an aluminum racket, called The Smasher. Aluminum, though lighter and more flexible than steel, was sometimes less accurate than wood.

The biggest complaint, however, was that metal rackets caused strong cases of tennis elbow, especially the kind that had holes for the strings directly in the frame, rather than using an external wire wrapper, as in the T Because of that drawback in particular, most of the top players still preferred to use wooden frames.

By , aluminum construction improvements allowed for the introduction of the first American "oversized" racket, which was manufactured by Weed.

Howard Head was able to obtain a broad patent for Prince, despite the prior art of the Bentley Fortissimo the first oversize, made in Germany of fiberglass and the Weed.

The patent was rejected by Germany but approved in the USA. Fairly quickly, midsize frames began to become the most-used frames in the pro tours.

Martina Navratilova popularized the midsize graphite racket, with her wins using the Yonex R-7, the first midsize graphite racket made by Yonex.

Nearly at the same time, however, she said the "jumbo" rackets midsize included should be removed from the sport for making it easier. She said she would use them only because other players could, as they were tournament-legal.

Fewer players chose to use oversize rackets, and some switched to midplus frames after their earliest career for more control.

Fiberglass frames also had a brief period of limited popularity, making fewer inroads among top players than aluminum. Also, the earliest composites, such as the Head Competition series, used by Arthur Ashe , were made without graphite.

These were more flexible than a typical early graphite composite but stiffer than wood, fiberglass, and aluminum.

In the early s, "graphite" carbon fibre composites were introduced, and other materials were added to the composite, including ceramics, glass fibre, boron, and titanium.

Stiff rackets were typically not preferred by most players because of their familiarity with the comfortable softness of wood. These early models tended to be very flexible and not very powerful, although they were a power upgrade over wood and metal rackets.

Wilson created the Jack Kramer Pro Staff, the graphite version of the wood racket of the same name extremely popular in the late 70's and early 80's.

This was the origin of the extremely influential Wilson Pro Staff It used the same mold and had the same braided graphite, but offered a very noticeable improvement in power.

The very popular Prince original graphite , an oversize in its most popular form, was also quite influential and used by many pros, especially as juniors.

Jennifer Capriati and Monica Seles , for instance, used the Prince graphite to contest their influential Wimbledon match in that has often been hailed as the beginning of the power baselining game in the WTA, although that claim is somewhat hyperbolic and is, in large part, due to the mistaken impression that the players were hitting much harder when, in fact, the rackets were more powerful.

However, the very large head size, when compared with the midsize and, especially, the old "standard" size, made it easier to produce power.

The racket also had an open string pattern. The Prince "original" graphite name is rather a misnomer , as it went through some significant design adjustments over its lifetime.

For instance, the truly original model had a reverse teardrop head shape, something no subsequent versions had.

Stiffer composite rackets, when compared with the first and second generations of graphite composites, are the contemporary standard. The last wooden racket appearing at Wimbledon appeared in , long after they were abandoned by practically all professionals.

It is also commonly argued that Chris Evert would have been able to beat Martina Navratilova during the latter's most dominant period if she had switched from her wood racket years sooner.

Additionally, the last influential wooden racket, the Prince Woodie, had layers of graphite to increase its stiffness and was an oversize.

It was used by Tommy Haas , Gabriela Sabatini , and quite a few others. It offered very little power but did offer much more surface area than a standard-size wooden frame.

Sabatini found it helpful, as compared with smaller rackets, due to her production of heavy topspin.

The only woman to beat Martina Navratilova in , Kathleen Horvath , used the Prince Woodie, one of only six losses Navratilova suffered in a three-year stretch involving matches.

A denser pattern is often considered to deliver more control, at the expense of spin potential. A more open pattern is often believed to offer greater potential for power and spin.

However, how much power is produced by a player can be strongly influenced by how a player adapts to the characteristics of the racket.

Some players may hit harder with a dense string pattern, producing faster shots because of the added control from the dense pattern. Rackets, including those of much of the wood era, are marked with a recommended string tension range.

The basic rule is that a lower tension creates more power from the trampoline effect and a higher string tension creates more control less string deformation which results in a more predictable the power and angle of the departure from the string bed.

Some professionals used small-headed rackets with flexible-material strings natural gut strung at very high tension. Examples include Pete Sampras and Björn Borg.

Some used large-headed rackets with very inflexible-material strings kevlar. Andrei Agassi is an example. Many professionals during the standard wood era strung at relatively low tension and used natural gut string; both decisions were to increase the trampoline effect for more power.

By contrast, almost every professional player today uses the much stiffer polyester string in their much stiffer rackets which also have larger heads and which tend to be lighter.

Madeline Hauptman sold a line of rackets, called the MAD RAQ, which featured a Star of David pattern a six-pointed figure consisting of two interlaced equilateral triangles , as it used three strings instead of two for stringing the racket.

This pattern is used in snowshoes. This stringing pattern was said to feature less string notching, improving string lifespan.

It was even claimed that many pro shops refused to carry the racket because less string breakage would reduce string and stringing service sales.

It has also been claimed that the racket is more difficult to string than a two string racket. However, the Wilson Ttype requires a great deal more time for stringing than a typical racket and rackets of that series were very popular.

Whatever the cause of the failure of the MAD RAQ in the marketplace, it was the only time a snowshoe pattern was used in tennis.

Hauptman switched her racket line to a two string diamond pattern PowerAngle. This pattern had already been used in much earlier rackets but had not had much popularity.

It is said to be easier to string than the MAD RAQ but does not have the benefit of reduced string notching, at least not to the same degree.

The claim is that this diagonal pattern offers more comfort than a traditional square pattern. The stiffest graphite racket that has been sold is the Prince More Game MP, which is rated at 80 RA on the industry-standard Babolat measuring equipment.

The Prince More series used two pieces a top side and bottom side of the racket, or a left side and a right side and no grommet strip.

Prince had briefly used a design without a grommet strip in an early version of its "original" graphite oversize. The most famous user of a More series racket was Martina Navratilova, who returned to play doubles in her 40s, using a Prince More Control DB a midplus for her initial wins in the mixed doubles at Wimbledon and the Australian Open with Leander Paes.

She had used the stiffer More Game MP prior. Navratilova later switched to a design by Warren Bosworth the founder of Bosworth Tennis which had a customized asymmetric grip and an unusual geometric head shape.

Stiffer rackets typically offer more power and control at the expense of increased ball shock, which can lead to injury or tennis elbow aggravation.

Typically, power and control are at odds. However, in the case of stiff rackets, less energy is dissipated by the racket deforming, transmitting it back to the ball.

Control is improved because there is less deformation. However, a player's overall power level may decrease due to the need to moderate ball striking effort to reduce discomfort and even injury.

Although known as a hard hitter in her younger years, in her 40s she was known more as a precision player who used finesse and especially tactics more than power.

In fact, the last doubles partner she won a major with in mixed, Bob Bryan , remarked on how slow her serve was, despite how effective she was on the court.

Navratilova also used string that was much softer than what anyone else on tour used thick uncoated natural gut , to help compensate for the stiffness of her racket.

The vastly higher injury rate in tennis when compared with the wood era is, in part, due to the increase in stiffness, both of the racket and of the strings.

Real tennis uses wooden rackets and cork-filled balls. It is a very different sport from today's lawn tennis. From Wikipedia, the free encyclopedia.

Main article: Table tennis racket. See also: Strings tennis. This section may contain an excessive amount of intricate detail that may interest only a particular audience.

Please help by spinning off or relocating any relevant information, and removing excessive detail that may be against Wikipedia's inclusion policy.

May Learn how and when to remove this template message. Retrieved 5 September Oxford Dictionaries. Retrieved 26 June

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